Marginal Groups and Their Role within Media and Society Spectacularization – The Case of the International “Big Brother” Television Reality Show

Authors

  • Snježana Barić-Šelmić University of Josip Juraj Strossmayer in Osijek Author
  • Tomislav Levak University of Josip Juraj Strossmayer in Osijek Author
  • Barbara Balen Domazetović University of Josip Juraj Strossmayer in Osijek Author

DOI:

https://doi.org/10.0000/4jwrra35

Keywords:

Big Brother, celebrity culture, society, marginal groups, media, reality show, RTL, spectacularization of society, television

Abstract

Ever since it was first aired in September 1999 in the Netherlands, the Big Brother television show became the world’s most famous and most widely-held reality show franchise with up to 400 broadcast seasons in more than 70 countries. Since strong competition emerged in the meantime in the form of many other reality shows, owners of the Big Brother franchise are constantly trying to ‘refresh’ the concept in various ways to maintain its popularity and ratings. Thus, several production companies and commercial televisions from the former Yugoslavia region, all of them license owners authorised to produce the show, decided to organise an international or, more accurately, regional Big Brother show from September to December 2015. The producers gathered a total of 19 contestants from five countries with similar spoken languages – Croatia, Serbia, Bosnia and Herzegovina, Montenegro and Macedonia – almost half of whom were somewhat bizarre members of socially sensitive, so-called marginal groups of citizens (a homeless person, a prostitute, a transgender person, a Roma family and others), which caused strong and divisive public reactions in the mentioned countries. The authors conducted an analysis of the content of the show broadcast over a period of one month in order to find out whether and to what extent these members of marginal societal groups were used to promote and increase viewer ratings of the show. At the same time, they followed the viewer ratings and, to a lesser extent, the public opinion on the show in Croatia. In the theoretical part, briefly, terms such as “marginal groups of citizens”, “celebrity culture”, “spectacularization of society and media” and “reality show” and the concept of television and its convergence with new, digital media formats have been elaborated. The objectives of the research were to determine whether the show’s license owners succeeded in their somewhat controversial approach to halt the trend of decreasing viewer ratings, and whether the concept of Big Brother and reality shows in general have been somewhat ‘worn out’, at least in South East Europe.

Author Biographies

  • Snježana Barić-Šelmić, University of Josip Juraj Strossmayer in Osijek

    Assistant at the Department of Cultural Studies of the University of Josip Juraj Strossmayer in Osijek since January 2017. Graduated from the Department of Cultural Studies at the University of Osijek, specialising in media culture. Currently a doctoral student at the Doctoral School of the University of Osijek, more specifically at the University of Josip Juraj Strossmayer in Osijek’s postgraduate interdisciplinary doctoral study programme Cultural Studies: Media Culture – Media Research. Her other professional training includes the IEDC Bled School of Management Programme, Management Zentrum, St. Gallen Management Training Programme.

  • Tomislav Levak, University of Josip Juraj Strossmayer in Osijek

    Assistant at the Department of Cultural Studies of the University of Josip Juraj Strossmayer in Osijek. He earned a double Bachelor’s degree at the Department of Cultural Studies at the University of Osijek; in Media Culture and Cultural Management. He worked as a successful journalist for a number of national and regional print media (1996-2015) – first in Slobodna Dalmacija, followed by Jutarnji List, Slavonski dom and Glas Slavonije. He is currently a doctoral student at the University of Josip Juraj Strossmayer in Osijek’s postgraduate interdisciplinary doctoral study programme in Communication. From April 2015, employed as an assistant at the Department of Cultural Studies of the University of Osijek, at the modules Media Culture and Cultural Management.

  • Barbara Balen Domazetović, University of Josip Juraj Strossmayer in Osijek

    Assistant at the Academy of Arts of the University of Josip Juraj Strossmayer in Osijek. Graduated from the Department of Cultural Studies of the University of Osijek, at the Media Culture module. Currently a doctoral student at the Doctoral School of the University of Osijek, more specifically at the University’s postgraduate interdisciplinary doctoral study in Cultural Studies (the module Visual and Applied Arts and Culture in European context). She is employed as an assistant at the Department of Applied Arts of the Academy of Arts in Osijek. Completed a two-year education for cultural managers (National Arts Management Intensive: Croatia) organised by the Ministry of Culture of the Republic of Croatia and the DeVos Institute, Washington D.C. (2013-2015).

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Published

2025-04-23

How to Cite

Snježana Barić-Šelmić, Tomislav Levak, & Barbara Balen Domazetović. (2025). Marginal Groups and Their Role within Media and Society Spectacularization – The Case of the International “Big Brother” Television Reality Show. Communication Today, 8(2). https://doi.org/10.0000/4jwrra35